Blood and Tide (Esmond Series)
. . . but the edges have eroded, bluntered and edgeless. Warfarin-thin. A swiftwater rush, . . . Esmond breathes.
. . . but the edges have eroded, bluntered and edgeless. Warfarin-thin. A swiftwater rush, . . . Esmond breathes.
Those ancient practices of bedding ceremonies and virgin-testing are, fortunately, behind us.
Admittedly, this “poem” has a bit of inside/very local humor, mostly as an affront to aesthetic decency. Still . . .
The masnavi is a kind of Persian narrative poetry with rhyming couplets, often with morals around Sufi mysticism, ethics, and theology. My lessons are perhaps more deconstructive illuminations.
When writing children’s verse, it’s hard to see where sincerity ends and parody begins . . . .
Concrete poetry depends on the poem’s shape on the page for some of its meaning. I remember doing these as kids, yes, but now . . . ?
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