Waywords Book Reviews
Quick Takes on My Reading SteveAtWaywords on Storygraph Steve Chisnell on GoodreadsEver since I retired from the public school classroom, I have voraciously been consuming titles new and those I regretted missing. And in keeping with my goals, I want to find the value of the widest range of reading. Here are many, rating them based upon their own purpose or ambition.
“The critic has to educate the public; the artist has to educate the critic.”
–Oscar Wilde
Quoted in Oscar Wilde, Art and Morality: A Defence of “The Picture of Dorian Gray” by Stuart Mason (ed.) (1908)
Find my reviews on social media:
           
           
“Riders of the Purple Sage” by Zane Grey
Grey’s classic Western lives up to its reputation of trope-filled storytelling while also surprising in lush scenery, realistic and tense action, and unexpected resolutions.
“A Face in the Crowd” by Stephen King
King’s quick novella is as predictable as a Twilight Zone rerun, but the characterizations and dark asides make it entertaining, anyway.
“End of the World and Hard-Boiled Wonderland” by Haruki Murakami (Rubin trans.)
Rubin’s new translation of this classic Murakami re-discovering the story in compelling ways: a must for Murakami fans!
“Anya’s Ghost” by Vera Brosgol –
What begins as a terrific premise of character and culture turns instead to supernatural adventure and a race against the evil. If only this were a bit more ambitious . . .
“The Vegetarian” by Han Kang
Kang’s inapt title disguises a far more sinister and surreal work on the encroachment of male and social expectations for the female body. Readers might ask: what exactly is it that distresses in this novel?
“A Breath of Life” by Clarice Lispector
Lispector’ s posthumous work explores religion, will, creation, imagination, humility, and more as an author explores his relationship with a character he creates.
“Ceremony” by Leslie Marmon Silko
Silko’s short, surreal, slow burn of a spiritual journey into native resistance and trauma healing is subtle and redemptive.
“Breasts and Eggs” by Mieko Kawakami
Kawakami’s unusually-plotted novel is still a provocative exploration of women struggling through the expectations of body politics in Japan, though their questions are universal.
“The Buddha and the Terrorist” by Satish Kumar
Kumar’s retelling of this traditional story focuses most on all of us, victims of horror and grief, and about the attachments to an idea of justice which we carry.
“Zen Flesh Zen Bones” by Paul Reps & Nyogen Senzaki
A marvelous collection of koan and anecdotes, each worthy of days or weeks of meditation, reflection, though largely without commentary. Think of it as a workbook or thinkbook in Zen. Invaluable.
“A Woman and Poems” by Kanchan Pudasaini (ed.) –
This local Nepalese publication is a decades old tribute of verse written to then First Lady Hillary Clinton. Unusual in its premise and manner of praise . . .
“A Contract with God Trilogy” by Will Eisner
The first in this series virtually invented the graphic novel genre. More, though, over the three books and 20+ years, Eisner sets a high bar for its form and ambition, as well.
“Amahl and the Night Visitors” by Gian Carlo Menotti
A fine, family tradition of light opera, here a parable of the Christian Nativity. But, as some have claimed, one of the best librettos in opera? Nonsense.
“Gilead” by Marilynne Robinson
Novel-length monologue by dying minister reflects upon love, family, regrets, faith, and fallibility. At times original and poignant, at times declamations for readers.
“Prince of Cats” by Ronald Wimberly –
Wimberly’s hip-hop Shakespeare is a brilliant mash-up of 1980s slum, Samurai codes, media domination, clever art angles, and the iambic talk of forgotten Bard subplots.
“for colored girls who have considered suicide when the rainbow is enuf” by Ntozake Shange
An amazing intimacy as seven women tell their stories (and those of/for all black women) through poetry, dance, and song. Rich oral storytelling by Shange, but its strength left as a static read on paper is compromised.
“Prometheus Unbound” by Percy Shelley
Shelley’s revision of Aeschylus’s “Prometheus Bound” as one element of his argument for artistic freedom is a massive (but hardly epic) poem, full of un-subtle characterizations and a head-scratching conclusion.
“Never Whistle at Night,” Shane Hawk & Ted van Alst, Jr. eds.
Anthology of discomforting indigenous tales, not all “horror,” but all resonant in contemporary challenges and provocative in re-aligning perception.
“Paradise” by Toni Morrison
The seeming conceit of the novel–Who killed a group of women living just outside of their small town and why?–is answered as Morrison would: by layering relationships and histories atop one another while relating the stories of individual perspectives.
“Following the Brush” by John Elder
Elder’s travelogue from the 1990s is a worthy enough introduction to some of the traditional aspects of Japanese society, though it barely reaches outside tradition nor offers much reflection for the year he spent there with his family.
Early Tolkien Criticism – 5 Books
Early critical reviews and writings on Tolkien range from safe takes on the new fantasy form to vapid praise, and from hyper-focused examinations of the name Bifur to broader post-structuralist analyses. Here’s a few from my shelf and their value today.
“Decline and Fall” by Evelyn Waugh
Absurd and comedic satire on British “appearances” and class with plenty of lowkey digs at other topics along the way. Unfortunately, 100 years later, we are reminded that not all “humor” ages equally well.
“The Mysteries of Udolpho” by Ann Radcliffe
Radcliffe’s pioneering but meandering work is a massive gothic/idyll with a problematic heroine and absurd plot of static characters.
“Secret Windows” by Stephen King
King’s 1980s essays and talks here serve mostly for completists. Some writing tips, some fiction, some analyses of horror, but King offers each of these more amply in other books.