Essai

Day 3: (re)Writing the Masters

In the film, much of this layered social critique by Wilde is instead laid at the feet of a cat. . . .

Day 2: Price or Poe?

On their own, as a film, the changes made almost betray the claustrophobic prose of Poe’s story.

Day 1: Which Mary Shelley?

This is it, then. Branagh may believe he is channeling Shelley, but his own dithyrambic ego prevents us from seeing her.

Day 0: Films to Books and . . .

Day 0: Films to Books and . . .

If I had to guess, it’s that many missed a key idea of translation to a different medium: transformation. Creating story for a poem, podcast, movie, painting, symphony, short story, campfire talk, or novel are each significantly different acts,

#bookfetish

#bookfetish

After all, why would I risk staining that beauty with a coffee ring? Why place stress upon that carefully sewn binding? If I wanted to actually read the book, well, I have a chewed and annotation-scarred used paperback of it.

Lessons from Emilio

Lessons from Emilio

In the image, he is on the Inca Trail, alone, a floppy hat and sunglasses, his hands resting on the top of his walking stick as he waits for me to reach him.  I am wheezing from altitude dizziness as we ascend.

Nazgul

Nazgul

After all, I was maybe 15 years old, skinny and pale as pasta, my “Lord of Chaos” badge hanging crookedly from a fading Dragonslayer t-shirt. And there was Gandalf, a 280 pound beer-stinking sasquatch of a man …

The Challenge of Finding Wisdom

The Challenge of Finding Wisdom

I have seen years and scores of students succumb to the allure of Beavis and Butthead and Seattle grunge, Instagram and “What Does the Fox Say?”, never suspecting that Descartes’ dualism or Conrad’s “The horror” could be significant moments for true reflection.

Doing Battell

Doing Battell

I suppose accepting the importance of internal conflict is difficult for any American boy. After all, I was taught to be strong. To write “reflectively” about “feelings” was, in 1978, a girlie thing to do.

Pathos

Pathos

I position my fourth finger on the high Eb just as my 3rd grade self learned from Ms. Schnute, my piano teacher from the 1970s. The damp dusts of her cramped basement studio pass through me; I hear her voice calling down from the kitchen where she does dishes: “Septuple! Septuple! Four and three!”

Essai – 

After Michel deMontaigne, to essai is to engage in a prose act of skepticism, an exploration of a topic as perceived or understood by the writer. You might think of it as a “testing,” an experiment in idea-making. Alas, our education system long ago turned this critical verb into a static noun scored by rubrics in red ink for purposes political and often crippling. 

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