POETRY
Upon This Night We Sing; per nozze
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The epithalamion is a challenging, even problematic, form today. Originally a poem to “celebrate” the bride on her way to the bridal chamber, the ancient forms (written by folks like Catullus and Sappho) were quasi-religious, ironic in this thin veiling of voyeurism and libertinism, especially with the Romans. But more modern eras have not lost their attraction: Spenser, Jonson, Donne, Tennyson, and cummings have all taken turns at this, and we can’t forget Wagner’s “Bridal Chorus” from Lohengrin or Shakespeare’s Midsummer Night’s Dream.
Here, the “sacred tradition” continues with a contemporary spin.
Upon This Night We Sing; per nozze
I. Votio
No soft praise we bring this blessed day
No mere idyll of quiet devotion
No common faith for influence
But a crossing of celestial threshold
Hymen o Hymenaee!
Oh Aputure and Elinchrom!
May Erato bless our moment and our song!
Let Venus reveal herself in you
And Olympus capture your affection!
May they honor our moment
Grant their holy sanction
Stir the world’s arousal
Anoint these delicate words
II. Exhortatio
And let now our neighbors be welcomed
Your scrolling labor set apart
Our bride in preparation
To each she asks your eyes and heart
Hymen o Hymenaee!
Oh Aputure and Elinchrom!
Your time is now to look you on
And find here Love in highest form
Share our day with friends anon
Raise your praise to heat from warm
III. Laudes Nuptiales
Too rare a bride who opens life
Too scarce a maid of silken right
Who too reveals her heart to all
That we might find our hope through sight
Such beauty can’t be measured, true
And yet with awe we look prolonged
In polished curve we find delight
Round samite fine our ardor throngs
Let Venus reveal herself in you
And Olympus capture your affection!
Both you and we are now engaged
And trade zeal’s coin for grace
Time spent is time we’ll not regret
While channeled in this place
Such sacred alms we offer now
In humble certitude
May each bless’d moment be unlocked
Be private by us viewed
IV. Adornatio
Hymen o Hymenaee!
In tease and clip
In smudgen lens
In cut and pan
In velvet dens
Her look askance
A curl of lip
Abashed, her cheek
The tug of slip
A preview dropped
A train pursued
A trailer now
A hint of lewd
V. Sacra
Click through, click through
These weights and terms
Oaths and vows
These legal worms
VI. Vesper (Dimissio Convivae)
And so, O Hesperus, thou bringest all good things
The guests are sent aside
And the Evening Star rises to embrace
At last! We bow as converts to this path
Consummates and consumers
We swipe through bedding and philters
Our silent anticipation in prayer
Affiliated endowments
The dowry long settled
Only the fans resist the growing heat this cool night
The chamber awaits
May Erato bless our moment and our song
VII. Thalamos (the poet alone)
I see you now, young lovers at this chamber door
Promised this holy carnal rite
Private authenticity I alone might measure
Here as confidante or maven
Unions across ages, coition by a click
Munificent purity, transparent intimacy
Afforded to— And lo, a key!
A curated leak, a subdomain, a spree . . . .
(Unnumbered.) Spectaculum Secreti
Venereal.
And yet
I do not look away.
IX. Votum pro Progenie
Hymen o Hymenaee!
Oh Aputure and Elinchrom!
Creation and procreation
Longevity and life
May they be progeny evergreen
Fertile space for legacy
Surrendered, all, to the generations
The mirror the product
The story the sale
Graviditas! Puerum exspectare!
And the long-form tales which follow
Apportions for proclamation
Promiscuity by promise
Solitude surrendered
Control by compromise
Career by concession and confession
And Olympus capture your obeisance!
X. Clausula
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